SOLO CREATION WORKSHOP
«UNDER THE SURFACE - INTO THE STORY»
WITH YAEL RASOOLY
Monday Sep 19 – Friday Sep 23, 2022
Place: Figurteatret i Nordland, (aka, Nordland Visual Theatre), Stamsund, Norway
For: Performing and visual arts professionals: directors, puppeteers, actors, dancers, circus artists, singers, musicians, visual artists.
Required: Professional experience in the performing arts and committed attendance for the full duration of the course.
Max 11 participants
Workshop fee, flights and housing in Stamsund covered by NVT
Submission deadline: June 1, 2022.
Apply via firstname.lastname@example.org
Short motivational letter, maximum 150 words
Selected applicants will be invited to the workshop. The selection will be made by NVTs artistic director together with Yael Rasooly.
At the heart of the work will be the relationship of the performer/puppeteer with the object or puppet. Participants will be challenging this relationship, questioning its meaning, stretching its limits. Examining how this dynamic can lead the dramaturgy forward, echo multiple layers of thought and consciousness, and express precise emotion, all with minimalistic resources at hand.
The training aims to explore the creative process and to offer participants tools to improve their own approach through the transmission of Yael Rasooly's research and creation method.
Participants in this workshop will be invited to embark on an intense creative and personal journey. Each artist will be encouraged and guided to develop their own short form, connecting to the themes/stories/materials that hold a special significance and motivation. Tapping into this source of inspiration and impulse will be the point of departure and from there each artist will dive into creating their own unique form of theatrical expression and storytelling.
You will begin by exploring objects and materials through individual and group exercises, developing sensitivity to the weight and meaning of objects, objects that contain memory and those that are emotionally/socially/politically/historically/ charged. You will investigate the process of bringing to life the inanimate object through extremely different methods of manipulation, while at the same time revealing the character who inhibits each universe through precision of gesture, rhythm, repetition, focus point, energy level, breaking point and metamorphosis.
A special attention will be given to the voice- in speaking but mostly in singing. As part of your everyday training, you will explore the powerful potential of combining the singing voice with manipulation of an object/ puppet, the secrets and complexity that this can expose.
This workshop is an invitation to take a leap into a new chapter of your relationship with your own creation, your ability to dream and to dare. To face together the familiar challenges of working on a solo show by putting to practise new tools in a safe and encouraging environment. This entails letting go of inner pressures and critics that no longer serve us in the creative process, such as the need to produce "successful" results. Instead, to actively accept that "getting lost" in the "unknown" is an invaluable and indispensable part of the creation process.
Our mission is to be open and receptive to the gems at our fingertips, that we collect and connect together in making an image, a scene, a performance.
Above all this workshop together is a time for PLAYING. You will be dancing, singing, writing, directing, designing, drawing, manipulating and performing. You will be taking risks, failing, failing again, improvising, supporting each other to go beyond your perceived limitations, working quickly and intuitively while insisting on PLEASURE in the rehearsal space.
In short, nothing less than an individual revolution, small or huge, towards a new voice that is ready to emerge.
* At the end of the workshop there will be a presentation of the work methods and showing of the individual projects in process.
* Participants will be asked to bring objects and materials from their home, lists will be sent as well as a letter to participants.
Yael Rasooly is a visual theatre director, actress, singer, and puppeteer. She was born in Jerusalem in 1983 and first trained in classical piano and singing before studying theatre in London at Central Saint Martin. Her unique theatrical language, is based on a multidisciplinary approach, where all the elements of the staging have equal importance in the narrative. The relationship between the objects/materials and the performer are at the heart of her work, as well as the choices of scenography, sound, and music.
Her visual universe makes what is usually silent heard, inviting the audience to travel into what is unspoken in our society. Examples of her creations include Paper Cut, a solo performance that received numerous awards; The House by the Lake, a musical cabaret for actresses, dolls, and objects, describing the story of three sisters in hiding during the Second World War; Bon Voyage, a co-production with the Festival Mondial des Théâtres de Marionnettes of Charleville-Mézières. Her latest creation, Un silence parfait, was presented for the first time at the 2021 Charleville Festival - it is the second part of a trilogy on violence against women and children.
Her creations have been performed in hundreds of festivals and theatres in more than 30 countries, have received numerous international awards (Grand Prix at the International Festival of Solo puppeteers (Lodz), the Excellence award for solo performance at the NYC Fringe Festival and the Diploma of Excellence from U.N.I.M.A) and have been received by an enthusiastic press (Télérama, The Guardian and the NY TIMES). Having developed a growing taste for passing her experience and creative approach on to others, Yael Rasooly has led workshops and master classes in many institutions around the world. Her teaching method, combining stage direction, object theatre, puppetry and vocal technique, is based on encouraging the participant(s) and aims to empower them in their individual and personal creation.
She has been invited to teach at institutions such as Trinity College, University of Connecticut, The Eugene O'neill Theatre Centre, New York University, Atlanta Centre for Puppetry Arts, UQAM University, Nuku Theatre Tallinn, UQAM Montreal (Canada), Aria en Corse -Association des Rencontres Internationales Artistiques- (France), and Théâtre Odradek (France), FIAMS Quebec (Canada), Academy of Theatre Arts in Wrocław (Poland) and many others.